![]() ![]() Sony S-Log3/S-Gamut3.Cine: Applies the appropriate linearization and 709(800%) MLUT tone mapping for footage shot with the S-Log3/S-Gamut3.Cine setting on Sony cameras such as the F5 and F55. Sony S-Log3/S-Gamut3: Applies the appropriate linearization and 709(800%) MLUT tone mapping for footage shot with the S-Log3/S-Gamut3 setting on Sony cameras such as the F5 and F55. Sony S-Log2/S-Gamut: Applies the appropriate linearization and 709(800%) MLUT tone mapping for footage shot with the S-Log2/S-Gamut setting on Sony cameras such as the F5 and F55. Panasonic V-Log: Uses Panasonic’s Varicam 35 3D LUTs that convert V-Log to V-709/V-2020. If the inspector isn’t already shown, do one of the following:Ĭhoose Window > Show in Workspace > Inspector (or press Command-4).Ĭlick the Inspector button on the right side of the toolbar.Ĭlick the Info button at the top of the inspector.Ĭlick the Metadata View pop-up menu in the bottom-left corner of the Info inspector and choose General, Extended, or Settings.Ĭlick the Camera LUT pop-up menu and choose an option for converting the appearance of your footage:ĪRRI Log C: Applies ARRI Log C linearization with a default tone mapping.ĪRRI Log C (3D LUT): Uses the 3D LUTs embedded in the media to apply a custom look.īlackmagic Design Film: Applies the appropriate linearization and a tone mapping for the Blackmagic Cinema Camera and the Blackmagic Pocket Cinema Camera.īlackmagic Design Film 4K: Applies the appropriate linearization and a tone mapping for the Blackmagic Production Camera 4K.Ĭanon Log: Applies the appropriate linearization for Canon Log.Ĭanon Log2/Cinema Gamut: Uses Canon’s EOS C300 Mark II 3D LUTs that convert Canon Log 2 with Cinema Gamut to Wide DR gamma.Ĭanon Log3/Cinema Gamut: Uses Canon’s EOS C300 Mark II 3D LUTs that convert Canon Log 3 with Cinema Gamut to Wide DR gamma. Select one or more video clips recorded with the log option. For more information, see Wide color gamut and HDR overview. ![]() If the library is set to either Standard or Wide Gamut (Deprecated) when you apply a camera LUT, the media is tone mapped (downgraded) to the narrower standard dynamic range (SDR). Note: Final Cut Pro preserves the full dynamic range of the log media as long as color processing for the library is set to Wide Gamut HDR. You can also use Custom LUT effects to apply tone mapping, allowing for a custom conversion to the project’s output color space. Custom LUT effects are clip effects that you apply to timeline clips from the Effects browser. For more information, see Example: Use custom camera LUTs in your workflow.Ĭustom LUT effects allow you to easily create, import, or share custom looks for video clips and projects according to your creative needs. You can use custom camera LUTs to correct color in your program or to apply stylized looks. Custom camera LUTs can be provided by camera manufacturers or can be created by your director of photography, digital imaging technician (DIT), or colorist using a third-party color grading app. You can also import additional camera LUTs (known as custom camera LUTs). In contrast, Custom LUT effects (described below) are clip effects that can be applied at any position in the effect order. Camera LUTs are applied at the media level (across the library) and are applied before any clip effects. When you import media, Final Cut Pro detects metadata in the media identifying the log format and automatically applies the appropriate built-in camera LUT. Depending on the source camera, these built-in camera LUTs also take into account metadata such as camera exposure index, ISO setting, and white balance. If the library is set to Wide Gamut HDR, camera LUTs preserve the full dynamic range of the log media. When applied to log media from a supported camera, camera LUTs built into Final Cut Pro convert the media to the working space of the current library. Color adjustments can alter the audience’s perception of the scene being played, changing a program’s mood.įinal Cut Pro supports two categories of LUTs:Ĭamera LUTs (also known as camera log conversion LUTs) provide log processing for media from modern video cameras that have a log recording option. 709.Īnother common use of LUTs is to stylize video clips with a particular “look.” Beyond just matching some objective model of exposure, you can subtly mix color to enhance the story you’re telling with your project. Video footage recorded with this option initially looks “flat.” You can apply LUTs to change the appearance of log footage to a standard broadcast specification, such as Rec. Many modern cameras have a log or wide-dynamic-range recording option that provides more f-stops of exposure latitude in the image. Apply color lookup tables (LUTs) Apply color lookup tables (LUTs)Ī lookup table (LUT) is a set of data that enables a numeric transformation of pixel values to change the way an image looks.Ī common use of LUTs in video post-production is log conversion. ![]()
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